Anthony Dyer Hoefer

Anthony Dyer Hoefer

Anthony Dyer Hoefer

Associate Professor

Literature and culture of the U.S. South; race, religion, and literature; ecocriticism and environmental justice.

Anthony Hoefer works in the field U.S. southern studies, but his published work engages graphic novels, detective fiction, Hurricane Katrina, and The Big Lebowski. He is the author of Apocalypse South: Judgment, Cataclysm, and Resistance in the Regional Imaginary (The Ohio State University Press, 2012). He was among the 2021 winners of Mason's Teaching Excellence Award.

Prof. Hoefer currently serves as the Assistant Dean of the Honors College. 

Selected Publications

“Quarantining Blackness, Writing Whiteness: The Literary and Memorial Geographies of Sullivan’s Island, South Carolina.” South Atlantic Review. 82.2 (2017): 36-58.

“Violence, Spectacular and Slow: Murder, Ecology, and Genre in Biguenet’s Oyster and Rash’s One Foot in Eden.” Mississippi Quarterly. 68.3-4. (2015): 487-509.

“A Qualitative Consideration of Current Quantitative Souths.” Society for the Study of Southern Literature Newsletter. 49:1 (2015). Web.

Apocalypse South: Judgment, Cataclysm, and Resistance in the Regional Imaginary. Columbus: The Ohio State University Press, 2012.

“A Revision of the Record: The Demands of Reading Josh Neufeld’s A.D.: New Orleans After the Deluge.” Comics and the American South, Brannon Costello and Qiana Whitted, editors. University Press of Mississippi. Jackson, MS: University Press of Mississippi, 2012.

Expanded Publication List

Authored books
Apocalypse South: Judgment, Cataclysm, and Resistance in the Regional Imaginary. Columbus: The Ohio State University Press, 2012.

Chapters in anthologies
“A Revision of the Record: The Demands of Reading Josh Neufeld’s A.D.: New Orleans After the Deluge.” Comics and the American South, Brannon Costello and Qiana Whitted, editors. University Press of Mississippi. Jackson, MS: University Press of Mississippi, 2012.

Refereed journals
“Quarantining Blackness, Writing Whiteness: The Literary and Memorial Geographies of Sullivan’s Island, South Carolina.” South Atlantic Review. 82.2 (2017): 36-58.

“Violence, Spectacular and Slow: Murder, Ecology, and Genre in Biguenet’s Oyster and Rash’s One Foot in Eden.” Mississippi Quarterly. 68.3-4. (2015): 487-509.

“‘They’re Trying to Wash Us Away’: Revisiting Faulkner’s If I Forget Thee, Jerusalem [The Wild Palms] and Wright’s ‘Down by the Riverside’ After the Flood.” Mississippi Quarterly. 63.3-4 (2010): 537-554.

“‘The Slaves That They Are’ and the Slaves That They Might Become: Bondage and Liberty in Simms’ The Yemassee.” MELUS: Multi-Ethnic Literature of the United States. 34.3-4 (2009): 115-132.

“‘Like Tumbleweeds Blowing Across a Vacant Lot’: Landscape, Myth, and Subjectivity in Chandler’s The Big Sleep and the Coen Brothers’ The Big Lebowski.” CLUES: A Journal of Detection. 26:3 (2008): 42-55

“The McDonaldization of Macbeth: Shakespeare and Pop Culture in Scotland, PA.” Literature/Film Quarterly. 34:2 (2006): 154-160

Invited non-refereed publications
“A Qualitative Consideration of Current Quantitative Souths.” Society for the Study of Southern Literature Newsletter. 49:1 (2015). Web.

 

Education

PhD, English, Louisiana State University, 2008
MA, American Studies, University of Alabama, 2003
BA, Government and English, Wofford College, 2000